Alessandro Dell’Acqua is a cinephile with a penchant for dramatic Italian and French motion pictures of the ’60 and ’70s. His pantheon of muses is inhabited by sultry, sensual blondes of matted stylish, just like the mysterious Monica Vitti, an all-time favourite. Each assortment he does has a cinematic narrative, unfolding like a black-and-white neorealist film. For Pre-Fall, it concerned the aforementioned blonde bombshell, melancholic and barely despondent, strolling by herself on a wintry seashore wrapped in cashmere.
The ocean in winter was the theme underpinning the gathering; therefore, an abundance of blanket-like, generously minimize double-wool coats and peacoats, principally in navy blue with crimson and white Breton stripes. Their linings revealed golden foil trimmings for a contact of glamour, a component pricey to the Italian designer. Worn with cropped, flared pants or with high-waisted matching miniskirts, they made for a sensible but quite cool, fascinating proposal. The Marinière references have been saved gentle and never too literal, as in a sequence of striped oversize mohair jumpers, worn sensually off the shoulders.
Sensuality is at all times at play with chez Dell’Acqua; there’s typically a barely erotic rigidity between opposites in his collections. Right here, the glossy surfaces of vinyl miniskirts contrasted with lingerie-inspired black level d’esprit blouses. Leopard-printed eco-furs clashed with bourgeois camel wrap coats in luxurious double cashmere, and flame-red side-slit pencil skirts have been worn with ingenue-ish black tulle ankle socks and high-heeled pumps with humongous crimson bows. Mastering the artwork of seduction is a delicate recreation; a number of well-chosen Alessandro Dell’Acqua items may positively be of assist navigating this tough territory.